| 1 | Name: | Dr. Timothy J. Clark | |
| Institution: | University of California, Berkeley | ||
| Year Elected: | 2007 | ||
| Class: | 4. Humanities | ||
| Subdivision: | 401. Archaeology | ||
| Residency: | Resident | ||
| Living? : | Living | ||
| Birth Date: | 1943 | ||
T. J. Clark was born in Bristol, England in 1943, took a B.A. in modern history at Cambridge, and a Ph.D. in art history at the Courtauld Institute, University of London. He has taught at a number of institutions in England and the U.S., including the Universities of Leeds and Essex, Camberwell School of Art, UCLA, Harvard, and, since 1988, the University of California, Berkeley, where he is George C. and Helen N. Pardee Chair and Professor of Modern Art. He is the author of a series of books on the social character and formal dynamics of modern art, including The Absolute Bourgeois: Artists and Politics in France 1848-1851 (1973); Image of the People: Gustave Courbet and the 1848 Revolution (1973); The Painting of Modern Life: Paris in the Art of Manet and his Followers (1984); and Farewell to an Idea: Episodes from a History of Modernism (1999). In Spring 2005 Verso published a polemical analysis of the present crisis in world politics written by him jointly with Iain Boal, Joseph Matthews, and Michael Watts (a.k.a. "Retort"), entitled Afflicted Powers: Capital and Spectacle in a New Age of War. Clark's latest book is The Sight of Death: An Experiment in Art Writing (2006), an extended study of two paintings by Nicolas Poussin, Landscape with a Calm in the Getty Museum, Los Angeles, and Landscape with a Man Killed by a Snake in the National Gallery, London. | |||